This is one of a regular series of articles highlighting some of the music that has played a part in my life.
You’ll find a range of songs from old to new. Whether it’s the lyrics, the music, a time in my life, or a combination of reasons, the songs in my soundtrack are part of who I am.
If you take a good look you’ll probably find music that has been part of the soundtrack of your life too. You can also check out some of the other songs that make up the soundtrack of my life.
So much has been said about the number of celebrities who died in 2016 and I was saddened by many of those deaths but Bowie’s death was the only one that really affected me. I pretty much listened to nothing but David Bowie music for days after hearing the news.
Let’s Dance – David Bowie
Let’s Dance was the title track to Bowie’s 1983 album and the first to be released as a single. It was the album that was the driving force behind the Serious Moonlight Tour. The only time I saw Bowie live was on that tour when he played the Perth Entertainment Centre in early November 1983.
I chose this track to share because of its links to Australia.
The music video was made in March 1983 by David Mallet on location in Australia including a bar in Carinda in New South Wales and the Warrumbungle National Park near Coonabarabran. In the beginning it featured Bowie with a double bass player inside the one-room pub at the Carinda Hotel and an Aboriginal couple ‘naturally’ dancing “to the song they’re playin’ on the radio”, the couple in this scene and in the whole video is played by Terry Roberts and Joelene King, two students from Sydney’s Aboriginal Islander Dance Theatre. As Bowie opted for real people, some residents of the 194-souls village of Carinda are in the pub too, watching and mocking the couple. They do not believe who David is nor what the take is all about, hence their behaviour towards the couple as seen in the video is real.
The red shoes mentioned in the song’s lyrics appear in several contexts. The couple wanders solemnly through the outback with some other Aboriginals, when the young woman finds a pair of mystical red pumps on a desert mountain and instantly learns to dance. Bowie’s calling ‘put on your red shoes’ recalls Hans Christian Andersen’s tale “The Red Shoes”, in which the little girl was vainly tempted to wear the shoes only to find they could not be removed, separating her from God’s grace – “let’s dance for fear your grace should fall” “The red shoes are a found symbol. They are the simplicity of the capitalist society and sort of striving for success – black music is all about ‘Put on your red shoes'”, as Bowie confirmed.
Soon, the couple is visiting museums, enjoying candlelit dinners and casually dropping credit cards, drunk on modernity and consumerism. During a stroll through an arcade of shops, the couple spots the same pair of red pumps for sale in a window display, their personal key to joy and freedom. They toss away the magic kicks in revulsion, stomping them into the dust and return to the mountains, taking one final look at the city they’ve left behind.
Bowie described this video (and the video for his subsequent single, “China Girl”) as “very simple, very direct” statements against racism and oppression, but also a very direct statement about integration of one culture with another. He inserted numerous references to the Stolen Generations. For example, the scene where the young woman scrubs the street on her knees in the middle of a busy street refers to Aboriginal children that were trained as domestic servants before being sent to white homes. – Wiki
I’d encourage you to get involved too. Let me know about some of the songs that are etched in your mind. What are the tunes that bring back a flood of memories every time their opening notes start cranking out on your stereo? Are there songs you love for their music and others that speak deeply through their lyrics?
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