RetroRadio is a series of posts of radio interviews from my time working at 98five Sonshine FM covering everything from issues of spirituality to chats with visiting musicians and celebrities.
Hopefully, the interviews spark a few memories and a few thoughts.
Back in July 2007, I spoke to Phil Cooke. I’ve just relistened to the interview and so much of what he has to say is still incredibly relevant today.
He’s produced TV and film programming in more than 60 countries around the world, and in the process, been shot at, survived two military coups, fallen out of a helicopter, and in Africa, been threatened with prison. And during that time – through his company Cooke Pictures in Burbank, California – he’s helped some of the largest Christian and nonprofit organizations in the world use the media to tell their story in a changing, disrupted culture.
Phil was Executive Producer of “Let Hope Rise – the Hillsong Movie” released to theaters nationwide, and Producer of “The Insanity of God” a feature documentary that premiered nationally as a Fathom Event. According to former CNN journalist Paula Zahn, Phil is rare – a working producer in Hollywood with a Ph.D. in Theology. He’s appeared on NBC, MSNBC, CNBC, CNN, Fox News, and his work has been profiled in the New York Times, The Los Angeles Times, and The Wall Street Journal. – PhilCooke.com
We chatted about his work and the media in general as well as a range of other ways in which Christians are portrayed.
Phil had a lot of great insights into the most effective ways for Christians to harness the power of the media in its various forms. One thing that came out very strongly a number of times in our discussion was the need for people who want to share their faith story to understand the culture they’re trying to reach.
If you want to hear the interview just use the media player below.
[Note: All RetroRadio interviews on RodneyOlsen.net are a snapshot of the time they were recorded. We all grow and change and so the opinions and thoughts of those in the interviews at the time of recording may or may not necessarily be the same as they are today.]
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