Slava’s Snowshow Melts Hearts in Perth

Slavas-Snowshow

I’d forgotten just how good Slava’s Snowshow is and how many surprises there are along the way while watching the show. I last saw the show almost four years ago when I took my then ten year old son.

I headed along to the opening night of the current season of Slava’s Snowshow at the Regal Theatre last night. It’s been said that Snowshow is to clowning what Cirque du Soleil is to Circus.

It was a dream. A dream that on Thursday the 13th it snowed in the auditorium of the “New Opera” theatre in Moscow. Snow covered the entire floor, all the chairs, and all those who sat in them. A marvellous dream it was. Well-disposed oligarchs and icy pop stars in tuxes smiled in beguilement, even dropping themselves into the gathering snowdrifts. Suddenly a wind began to blow, hard as only hurricanes know, and music to deafen one’s ears to sepulchral silence. Fear gripped us in anticipation of what was to come.

But the lights came up – and out shuffled a clown with small, meditative Kabuki-theatre steps: a figure in vastly-oversized yellow overalls and red fluffy slippers. A rope in his hands coiled into a noose, then – slipping like rosaries through his fingers – framed his face in portrait, became a leash, then a jump-rope, and then an Alpinist’s life-line… a hawser from which a friend – one of a clan of buffoons in hats with helicopter-blade ear-flaps and ski-esque elongated booties – dragged himself out…

I dreamt that there is no such thing as postmodernism, but only the primacy of feeling, an ancient purity of emotion. The touch of fine fingers on a spot-lit balloon in the dark… And – look – the balloon has flown away! Slava the clown weeps. With forbidding whistle, he sternly orders it back; with gentle persuasion, he beseeches the escapee to return; he blisters and boils with rage, then whistles out his longing. And the balloon drifts back, bulging a fat yellow smile, dangling its rosy little thread by his side, and then! – explodes in his arms. The poor baggy sod in red slippers – he couldn’t withstand the momentary bliss of his sudden repossession…

I’m feeling a little conflicted right now. I so much want to tell you about the magic of the show. I want to describe the excitement of the various elements which make up the experience but I don’t want to spoil the surprises for anyone who may go to the show. And I can assure you, there are plenty of surprises.

You may have been to shows before that let a few audience members interact with the cast. This show isn’t like that. When you go to Slava’s Snowshow everyone will have opportunity to be part of the show in one way or another.

It may be called a ‘snow show’ but it has the effect of melting hearts. You can see walls continuing to come down until each and every person in the theatre is totally immersed in the experience. Even those adults who earlier sat quietly as they enjoyed the entertainment on stage are transported back in time to become children again.

I don’t want to spoil it for you, but one of the most moving moments is when the action moves from the stage and ends up with adults effectively being given license to play like children. I defy even the most hard hearted to leave the show without having been swept up in the glorious emotion of the evening.

Slava’s Snowshow is on in Perth at the Regal Theatre until the 4th of August. If it ever comes to a theatre near you … don’t miss it.



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Family Road Trip

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It’s been a long time since we had a family road trip so I must say that I really enjoyed the day driving from Perth to Kalbarri today. It would be almost twenty years since Pauline and I were last here and Emily and James have never been to Kalbarri so I’m sure there’ll be lots of exploring to do tomorrow.

We stopped a number of times during our journey north from Perth, including a stop off at The Pinnacles.

The Pinnacles are limestone formations contained within Nambung National Park, near the town of Cervantes, Western Australia.

I think we might need to schedule a return visit when we can spend more time wandering through the area looking at the amazing natural structures. I took a bunch of photos of the Pinnacles, some of which I’ll post in coming days, but I’d love to spend more time there practising my very amateur photography skills.

Over the next few days we’ll explore a bit more of Kalbarri as well as heading a little further north.



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Breaking Free from Addiction

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As well as popularising the phrase, “tune in, turn on, drop out”, Dr Timothy Leary was known around the world as being at the forefront of experimentation with drugs, especially LSD.

Timothy Francis Leary (October 22, 1920 – May 31, 1996) was an American psychologist and writer, known for his advocacy of psychedelic drugs. During a time when drugs such as LSD and psilocybin were legal, Leary conducted experiments at Harvard University under the Harvard Psilocybin Project, resulting in the Concord Prison Experiment and the Marsh Chapel Experiment. Both studies produced useful data, but Leary and his associate Richard Alpert were fired from the university nonetheless because of the public controversy surrounding their research. Leary believed LSD showed therapeutic potential for use in psychiatry. – wiki

Back in those early days at Harvard there was a young professor of psychology named Charles Slack who also began experimenting with LSD and other drugs. Within a very short time he went from being a bright young academic to being a drug addicted mental hospital patient.

Dr Charles Slack has now been completely free of drugs of any kind for over 37 years but he says he still has to deal with his addiction every day.

Dr Charles Slack is well-known in Australian recovery circles. He gained a PhD in Experimental Psychology from Princeton University and became an Assistant Professor of Clinical Psychology at the Harvard Psychological Clinic from 1955 to 1960.

He was amongst the first to experiment with LSD and as a result became addicted. In 1976, clean and sober in 12-Step programs, he migrated to Australia to start a new life.

Charles is now the chairman of B-Attitudes, a not-for-profit group that aims to facilitate the restoration of the physical, mental, emotional, social and spiritual lives of individuals and families who have been affected by substance misuse. He has turned his own experience into a way of helping others break free from addiction.

B-Attitudes is a charitable, not-for-profit organisation, founded 10 years ago by three people who have a heart for empowering individuals who want to recover from alcohol and drug addiction and work towards a drug-free lifestyle.

The founding directors are qualified Psychotherapists in Transactional Analysis, one a Certified Transactional Analyst in Psychotherapy. Two have a background in Registered Nursing and Midwifery. The Committee of Management contributes a wide field of expertise and the Chair is Dr. Charles Slack, Ph.D. who is himself a recovered addict with over 37 years ‘clean’ and sober.

Each of the three founding directors have 15 years experience in the field of alcohol and drug addiction and community-based recovery and related family care.

I recently had a fascinating chat with Charles about B-Attitudes and about his own journey to beating addiction. He even said that a current, popular television series displays the right way to fight drug addiction. Can you guess which show it might be?

You can hear our discussion by clicking the play button on the audio player below.



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Driving Miss Daisy on Stage

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I had a wonderful afternoon at His Majesty’s Theatre on Saturday watching five-time Tony Award winner and three-time Academy Award nominee Angela Lansbury and two-time Tony Award winner and Honorary Academy Award recipient James Earl Jones starring in Driving Miss Daisy.

The stage show also stars four-time Tony Award winner Boyd Gaines.

Inspiration for the much-loved Oscar winning movie, Driving Miss Daisy is the charming, poignant and utterly compelling tale of the unlikely, long-lasting friendship that blossoms between a prickly, elderly Southern matriarch and her kind-hearted chauffeur, Hoke. As the wheels turn and the decades roll by against a backdrop of prejudice, inequality and civil unrest, the pair slowly transcend their differences and ultimately grow to rely on each other far more than either of them ever expected.

Sparklingly funny, irresistibly heart-warming and with an unmissable stellar cast, Driving Miss Daisy is the must-see show for 2013.

From the moment Angela Lansbury and James Earl Jones appeared on stage it was obvious that the audience was ready for something very special. The veteran actors certainly didn’t disappoint. For the next hour and a half we were taken on a wonderful journey with the perfect mix of humour and pathos.

The set for the production is quite bare and while props change to suit the scene and the back of the set is occasionally used as a screen to project images or video, it remains remarkably simple. That means that the show rises or falls on the talents of the actors and all three put in stunning performances.

Driving Miss Daisy is a welcome departure from the massive array of highly decorated sets and technological effects that accompany many big name stage shows today. The gentle story of blossoming and enduring friendship takes centre stage and it’s such a delight to be invited into the lives of Miss Daisy Werthan and Hoke Colburn.

The show plays at Perth’s His Majesty’s Theatre until the 19th of June.

(Thanks to the RAC for the tickets.)



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Farewelling the Past

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As I was cycling to work yesterday morning I rode past an older home that I’ve passed many times over the last few years. It had recently had a for sale sign in the front yard and eventually that sign had big sold sticker placed across it. Yesterday morning it had a wire fence across the width of the property. Sitting quietly behind the fence was a large excavator.

All was quiet at the house but I knew that the peacefulness wouldn’t last long. Sooner or later workers would arrive and that house would flattened.

Sure enough, on my way home the excavator was pushing rubble around. The house was demolished. No walls or structure, just splintered and broken building materials.

I wonder what stories those piles of bricks could tell.

I wonder how many families grew up there and where they are now. Were the rooms in those houses full of laughter? There must have been good and bad times, smiles and tears. Now there are just memories amongst the broken fragments of what had once been a home and I’m sure that within a few days even the remaining rubble will be gone.

I’m sure that over the coming months a brand new building will rise on that piece of land and that new house will bring good and bad times of its own but it’s good to reflect on what has been before we move forward towards what is still to come.

Around thirty four years ago I left the only home I’d ever known when my parents sold the house where I’d grown up.

I haven’t visited that old road for a while but last time I did it the old house was still there. It’s in a bad state of disrepair and it really should be demolished too. It’s an old asbestos house. No one’s ever going to renovate it so it’s really a matter of time until it’s gone. Although I haven’t set foot inside it for decades and the fact that it hasn’t been my home for most of my life, I’ll still be a little sad when it’s finally pulled down.

What sorts of stories could your home tell?

Would they be mostly happy stories? Can you remember the home where you grew up? Does it bring good or bad memories to mind?



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